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Lassiter ist eine Westernromanserie aus dem Bastei-Verlag, die seit in Form von Romanheften erscheint, zeitweilig auch als Taschenbuch. Die Romane gehören zur Trivialliteratur. Seit erscheint eine digitale Ausgabe der Serie im Bastei. Lassiter ist eine Westernromanserie aus dem Bastei-Verlag, die seit in Form von Romanheften erscheint, zeitweilig auch als Taschenbuch. Die Romane. Lassiter arbeitet seit Band "Lassiter und die Rebellenhorde" () im Auftrag der Regierung als Agent der»Brigade Sieben«. Er ist ihr bester Mann und wird. Top-Angebote für Romanhefte über Lassiter (ab ) online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl. von mehr als Ergebnissen oder Vorschlägen für Bücher: "lassiter western hefte". Lassiter tippte sich an den Hut und zog den schwankenden und ächzenden Banditen sich her zum Sidewalk hinauf. Er hatte Adams Handschellen angelegt. Lassiter warf einen Blick aus dem Fenster und runzelte die Stirn. Betsy Barrow kam, neben ihr ritt ein finster aussehender Bursche, den Lassiter schon ein paar.
Lassiter arbeitet seit Band "Lassiter und die Rebellenhorde" () im Auftrag der Regierung als Agent der»Brigade Sieben«. Er ist ihr bester Mann und wird. Lassiter warf einen Blick aus dem Fenster und runzelte die Stirn. Betsy Barrow kam, neben ihr ritt ein finster aussehender Bursche, den Lassiter schon ein paar. von mehr als Ergebnissen oder Vorschlägen für Bücher: "lassiter western hefte".
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When he saw Disney's film The Sword in the Stone , he finally made the decision that he should become an animator. Lasseter heard of a new character animation program at the California Institute of the Arts often abbreviated as 'CalArts' and decided to follow his dream of becoming an animator.
His mother further encouraged him to take up a career in animation, and in he enrolled as the second student Jerry Rees was the first  in the CalArts Character Animation program created by Disney animators Jack Hannah and T.
While at CalArts, Lasseter first started working for the Walt Disney Company at Disneyland in Anaheim during summer breaks and got a job as a Jungle Cruise skipper, where he learned the basics of comedy and comic timing to entertain captive audiences on the ride.
Upon graduating in , Lasseter immediately obtained a job as an animator at Walt Disney Productions mostly due to his success with Lady and the Lamp.
In time, he'll make a fine contribution. Musicana was never released but eventually led to the development of Fantasia However, Lasseter soon realized something was missing: after Dalmatians , which in his opinion was the film where Disney had reached its highest plateau, the studio had lost momentum and was criticized for often repeating itself without adding any new ideas or innovations.
Up to that time, the studio had used a multiplane camera to add depth to its animation. Lasseter realized that computers could be used to make films with three-dimensional backgrounds where traditionally animated characters could interact to add a new level of visually stunning depth that had not been possible before.
He knew adding dimension to animation had been a longtime dream of animators, going back to Walt Disney himself. Later, he and Glen Keane talked about how great it would be to make an animated feature where the background was computer animated, and then showed Keane the book The Brave Little Toaster by Thomas Disch , which he thought would be a good candidate for the film.
Keane agreed, but first, they decided to do a short test film to see how it worked out and chose Where the Wild Things Are , a decision based on the fact that Disney had considered producing a feature based on the works of Maurice Sendak.
Satisfied with the result, Lasseter, Keane and executive Thomas L. Wilhite went on with the project, especially Lasseter who dedicated himself to it, while Keane eventually went on to work with The Great Mouse Detective.
Lasseter and his colleagues unknowingly stepped on some of their direct superiors' toes by circumventing them in their enthusiasm to get the Where the Wild Things Are project into motion.
The project was canceled while being pitched to two of Lasseter's supervisors, animation administrator Ed Hansen, and head of Disney studios, Ron W.
Miller , due to lack of perceived cost benefits for the mix of traditional and computer animation. As Lasseter recalled, Hansen told him, "Well, John, your project is now complete, so your employment with the Disney Studios is now terminated.
While putting together a crew for the planned feature, Lasseter had made some contacts in the computer industry, among them Alvy Ray Smith and Ed Catmull at Lucasfilm Computer Graphics Group.
After being fired, and feeling glum knowing his employment with Disney was to end shortly,  : 40 Lasseter visited a computer graphics conference in November at the Queen Mary in Long Beach , where he met and talked to Catmull again.
Catmull later telephoned Smith that day and mentioned that Lasseter was not working at Disney. Smith told Catmull to put down the phone and hire Lasseter right now.
Because Catmull was not allowed to hire animators, he was given the title "Interface Designer";   "Nobody knew what that was but they didn't question it in budget meetings".
His original idea had been to create only the backgrounds on computers, but in the final short everything was computer animated, including the characters.
Due to George Lucas 's financially crippling divorce, he was forced to sell off Lucasfilm Computer Graphics, by this time renamed the Pixar Graphics Group, founded by Smith and Catmull, with Lasseter as one of the founding employees.
Over the next 10 years, Pixar evolved from a computer company that did animation work on the side into an animation studio.
Disney announced that it would be purchasing Pixar in January , and Lasseter was named the chief creative officer of both Pixar and Walt Disney Feature Animation, the latter of which he renamed Walt Disney Animation Studios.
He oversaw all of Walt Disney Animation Studios' films and associated projects as executive producer. He also received green-light power on films with Roy E.
Disney 's consent. In December , Lasseter announced that Disney Animation would start producing animated shorts — 2D, CGI, or a combination of both — that would be released theatrically.
Lasseter said he sees this medium as an excellent way to train and discover new talent in the company as well as a testing ground for new techniques and ideas.
As president and chief creative officer, respectively, they have supervised three separate studios for Disney, each with its own production pipeline: Pixar, Disney Animation, and Disneytoon.
While Disney Animation and Disneytoon are located in the Los Angeles area, Pixar is located over miles kilometers northwest in the Bay Area, where Catmull and Lasseter both live.
Accordingly, they appointed a general manager for each studio to manage day-to-day business affairs, then established a routine of spending at least two days per week usually Tuesdays and Wednesdays in Southern California.
Lasseter is a close friend and admirer of Japanese animator Hayao Miyazaki , whom he first met when TMS Entertainment sent a delegation of animators to the Disney studio in and showed a clip from Miyazaki's first feature film, The Castle of Cagliostro Lasseter is a member of the Academy of Motion Picture Arts and Sciences and served nine consecutive years on its board of governors from to when he had to relinquish his seat due to term limits.
In November , Lasseter took a six-month leave of absence after acknowledging allegations of workplace sexual misconduct that he described as "missteps" with employees in a memo to staff.
In June , Disney announced that Lasseter was leaving the company at the end of the year, taking a consulting role until then. It has been humbling, but I believe it will make me a better leader.
During a meeting at Skydance that same month, Lasseter expressed regret over his actions at Disney and Pixar. Lasseter said that ,"[he] will continue to work every day for the rest of [his] life to prove [ Lasseter lives in Glen Ellen, California with his wife Nancy, a graduate of Carnegie Mellon University , whom he met at a computer graphics conference in San Francisco in On May 2, , Lasseter received an honorary doctorate from Pepperdine University ,  where he delivered the commencement address.
By the time of his exit from Disney and Pixar, Lasseter began working with a coach and therapist for unconscious bias training. From Wikipedia, the free encyclopedia.
American animator, film director, screenwriter, producer, and voice actor. Hollywood, California , U.
Nancy Lasseter. See also: Weinstein effect. Disney portal Animation portal Cars portal Trains portal Wine portal. The Hollywood Reporter.
The Guardian. Retrieved May 11, I was doing a lot of amateur 3D photography — in , when I got married to my wife Nancy, we took 3D wedding pictures.
Archived from the original on October 27, Retrieved October 27, Bloomberg Businessweek. Retrieved April 20, Retrieved November 21, Retrieved November 24, The Washington Post.
Retrieved June 9, The New Zealand Herald. Pepperdine University. April The Whittier Daily News. November 1, Retrieved December 15, CNN Money.
Moonshine Ink. Retrieved May 8, Financial Times. Total Film. Los Angeles Times. Retrieved September 2, January 12, Archived from the original on December 5, The Blue Parrot's perch.
February 2, Times Mirror Company. Available through ProQuest Historical Newsstand. Walt Disney Studios Home Entertainment. Animation World Magazine.
Retrieved October 13, The Ultimate Disney Books Network. Archived from the original on February 6, Jim Hill Media. To Infinity and Beyond! San Francisco: Chronicle Books.
New York: Vintage Books. Buckley, A. Pixar: The Company and Its Founders. December 22, Retrieved November 10, July 5, The New York Times.
Time Inc. Retrieved January 11, Prometheus Global Media. Retrieved August 11, Retrieved June 22, Retrieved July 1, Deadline Hollywood.
September 24, Sonoma Academy. Retrieved December 25, Stitch Kingdom. July 12, Archived from the original on March 22, Retrieved March 8, Lasseter says he depends heavily on his and wife Nancy's "own test audience" of five sons — ages 16 months to The Press Democrat.
Archived from the original on October 5, Retrieved October 7, San Francisco Chronicle. Advance word on High Road was strong and he was offered a number of other movies.
However he stuck to his original promise. Selleck said "in a business where you often hear actors described as children its nice to be treated as a partner and as an equal.
I was able to have a lot of input into the script, although it didn't need that much. He should be able to walk into a movie with a certain amount of arrogance and gall.
The film received mixed reviews from critics. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Theatrical release poster by Steven Chorney.
Golden Harvest Pictures Ltd. Release date. Running time. This article needs an improved plot summary. Please edit this article to provide one.
October OctoberAls Lassiter die Furie zähmte Jack Slade.»Können Sie mir beschreiben, wie ich hinkomme?«Scott begann zu lachen.»Selbst wenn ich es könnte, würde ich es. sagte Lassiter erfreut.»Damit hab ich nun gar nicht gerechnet. Ich dachte, du hättest damals deinen Dienst quittiert?«»Sergeant Major, mit allem Respekt«. Lassiter hob den Ring auf und hielt ihn gegen das Licht. Auf der Innenseite war eine zierliche Gravur auszumachen. In winzigen, nur mit Mühe zu entziffernden. Please edit this article to provide one. Retrieved December 27, July 12, Retrieved North & South Lassiter, Grace Gummer Millerdue to lack of perceived cost benefits for the mix of traditional and computer animation. Archived from the original on June 20, Related topics History Disney animators' Anwalt Siegen Disney Renaissance. Available through ProQuest Historical Newsstand. Retrieved June 9, Archived from the original on November 7,